Strikt is a variable modular typeface, build on a 3x3 grid
It was inspired by the idea of utilizing the variable font technology to make a font with build-in animation potential.
Strikt is a variable modular typeface, build on a 3x3 grid
It was inspired by the idea of utilizing the variable font technology to make a font with build-in animation potential.
Strikt has 2 variable axes: weight and animation. The first one is self-explanatory, but the animation axis is the main feature of the font. It allows you to morph any glyph to a 3x3 dot array and back. In Strikt Plus modification, this array is the same for each letter, which gives the possibility to transform one glyph to the other.
Strikt is also a very sturdy but unique display font. In "Plus" modification it gives even more sci-fi and techno vibes. And in light weights, Strikt becomes more architectural and gives the possibility to make unusual ornamental layouts.
Get Strikt to jazz up your design! Try variable versions for kinetic typography and motion graphic. Strikt is a bold choice for posters, album covers, experimental identity and packaging, games, and editorial design.
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Cascadeur iS a variable modular sans, a modernist homage To space-age typography.
Cascadeur was born from a type design study and went a long way to its final form. The main feature is a structure of the font: it based on 4 lines grid, has very tight spacing to achieve maximum space coverage and set of inventive letterforms.
It is also a variable font and has 3 axes: weight, slant, and roundness.
Cascadeur is available in 12 styles and one Variable font.
Cascadeur has alternates for almost every letter (2-4) so you can find a rhythm and a unique pattern for your design piece.
It is a perfect choice for posters, album covers, big headlines, oversize typography, identity and packaging, editorial design.
Cascadeur extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.
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BASE&bloom IS AN EXPERIMENTAL FUSION OF GEOMETRIC MONOLINE SANS AND HiGH‑cOnTrAsT FlOUrIsH DiDOnE
It was inspired by the lack of curious modern display sans as opposed to the uprise of contemporary serifs past couple of years.
The idea was to incorporate flourishes not as unnecessary elements like swashes, but as a part of letter structure, which was an especially interesting task considering it was not a serif, which potentially could give more room for that. And after all, the idea pays off by generating many inventive letterform solutions
BASE&BLOOM has alternates for each letter (up to 11) so you can make endless combinations to find the perfect look.
It is a bold choice for posters, album covers, identity and packaging, headlines, oversize typography, and editorial design.
YoU cAn TYpE sOmeTHinG HEre!
Kontora is elegant, universal and laconic geometric sans.
Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics.
Inspired by the early 20th-century geometric sans-serif fonts like Futura and Akzidenz Grotesk, Kontora taking a few steps to become more relevant to modern needs: shorter ascender and descender height, more open and sleek form of letters S and s, flat r shoulder, K and k letterforms with crossbar joint, square titles, flat apexes, more balanced width of capitals, a tendency to symmetry in letterforms (Q,t,u) and tighter spacing.
In October 2016 Kontora becomes first font family, released by Peter Bushuev, and in January 2019 we publish the second version.
The second version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages.
It has basic ligatures and two sets of stylistic alternates.
Since the first version, Kontora also went through the number of stylistic changes, which are presented on the slides below.
Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout.
Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.
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Juxta Sans Mono is an experimental monospace sans, an extension of the Juxta superfamily.
During the creation of the Juxta script, I felt that the aesthetics and the main idea of the font had promising potential and I started thinking about a pair for it. So the idea of Juxta Sans Mono was formulated.
Juxta has several style-forming elements: 45° beveled or cross out bowls, squared m and w arcs and other unobvious letter structures.
Despite its unusual and sometimes odd (f, g, m) letterforms, Juxta Sans is fairly easy to read due to its monospace font nature and wide spacing.
Juxta Sans Mono offers great customization potential.
It has two sets of stylistic alternates — [salt] makes a letter underscored, but keep it in line, [ss01] replaces some of the glyphs with different letterforms.
The [case] function automatically adjusts the height of the punctuation marks to the neighbor letter and [onum] is a set of old style numbers.
Juxta Sans Mono also has subscript and superscript features, but they are utilized a bit unconventionally — if you want to customize your logo or headline, you can make a glyph superscript and the one next to it subscript and they automatically kern into one letter width.
You can see examples of using these features on the slides below.
Juxta Sans Mono is available in 8 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold and Black.
It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic for exceptionally far-reaching global accessibility.
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